TIME IS UP for MIGRATIONS: HARBOUR EUROPE. Now it’s selection time!

LegalAliens in collaboration with New Tides Platform and Migrant Dramaturgies Network have been looking for plays by European or EU-based playwrights on the theme of Migrations: Harbour Europe. Now TIME IS UP!

We encouraged submissions that addressed and reflected on the broad topic of migration and Europe. While we acknowledged the importance of documentary/ verbatim plays that deal directly with migratory identities and experiences, we really wished to attract original, bold and imaginative scripts which fully embraced theatricality and offers creative/ aesthetic alternatives for (re)imagining migrancy in Europe today.

We welcomed plays that challenge stereotypes, clichés and dominant narratives of migration. The call was intentionally broad and could be approached literally, metaphorically or abstractly. We particularly encouraged submissions from strong female voices and playwrights who identify as migrants or of migrant descent

Submission requirements:

  • Written in a European language
  • Please include a one-page synopsis in English. If an English translation exists, it can also be attached, with the understanding that LegalAliens is likely to create a new translation. Also include a short bio.
  • Plays already performed in their original language are welcome, provided they’ve never been presented in the UK
  • Between 60-80 minutes in length
  • 1-5 actors (multi-roling accepted)
  • Submitted in .doc or .pdf format

Further details

We received over 150 submissions from 17 different countries. They will be read by a panel composed of theatre-makers (directors, actors, dramaturgs), translators, academics and theatre critics. Up to three plays will be selected and – if needed – translated into English. After selection, plays will be given a week of R&D with our team in London and presented as staged readings at the ArcolaTheatre in London. Staged readings will be followed by public debates. We hope to identify at least one play to take forward into full production, directed by Becka McFadden.

Shortlist announced by 12th December 2018.
Staged Readings: 5th 6th and 7th of February at the Arcola Theatre

Terms and Conditions

The readings are part of an R&D, they will be free of charge to attract the most diverse audience and no profit will be sought by the company. A £80 token will be offered to writers at this stage, plus usage of the English translation we’ll provide.

If a play is selected for full production later in the year, royalties will be negotiated according to the British Writers Guild (Fringe agreement)

Project Partners

New Tides Platform is an independent organisation established in 2015, exploring and encouraging cross-cultural exchanges and dialogue within contemporary performing arts. As a collaborative venture we work with universities, theatres and creative/ art organisations as well as journals and publishers. As facilitators of cultural projects, we provide a forum for encounters connecting academic research, contemporary theatre-making and communities of thinkers, makers and spectators. Working as an outreach platform, we develop local, national and international collaborations and networks that are responsive to social and cultural changes within and outside contemporary theatre practices. For more information, please visit: www.newtidesplatform.org

Migrant Dramaturgies Network is an international research network developed in partnership with New Tides Platform (UK) and the Centre for Theatre Research at the University of Lisbon, Portugal. It is a platform for exchange and knowledge sharing between academics, theatre-makers and organisations involved in migrant theatre on various levels of artistic and cultural creation and development. We aim to explore emerging dramaturgies of theatrical responses to migration in light of recent migration and shifts in global politics and economics. We wish to map new theatrical forms of migrant representation and identify their impacts on national theatre cultures in shaping the perception of non-European migrants and migrant cultures. Visit our microblog at: www.migrantdramaturgies.tumblr.com

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NEWS

POKER FACE at VOILA! European Theatre Festival

Poker Face will return to London for two nights as part of the VOILA! European Festival at the COCKPIT Theatre on the 12th and 14th of November.

Tickets are already available, please book ahead for a £2 off by clicking on http://thecockpit.org.uk/show/poker_face

More info soon!

LegalAliens at TACS 2017 !

We’re delighted to be part of TACS – an international festival taking place in Trieste from the 21st to the 27th of May 2017.

The aim of the festival is to “share theatre experience and knowledge”.

Companies from all over the world will present their work and teach workshops, in an atmosphere of international and multi-cultural collaboration.

 

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We will present Poker Face on the 25th of May at 6.30PM at the beautiful Teatro Stabile Sloveno (a bilingual venue! Very befitting of our work…) and our director Becka McFadden and our translator/dramaturg Eva Daníčková will teach a practical workshop called “Movement in translation” about our method of physicalising the specifics of a language when working on a new text.

A carnet offering access to all shows is available at only 30EUR. Single tickets 5EUR. To book please go to http://tactfestival.org

One month to go until our 3 day workshop!

A call for International actors based in London (long term or just visiting for summer)!!

Here’s your chance to join artistic directors Becka McFadden and Lara Parmiani at the City lit, in the heart of London, for three days as we unravel the secret of the London theatre scene.

On the 14th, 15th and 16th of July from 2pm-5pm we’ll run an exciting workshop provide practical skills, professional guidance and support to help you develop your career as an international performer in London.

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Topics covered:

Audition and rehearsal techniques for both text-based and devised theatre including cold readings, improvisation, and collaborative devising. Additionally, we’ll discuss how to position yourself in the market as an international performer, looking at CVs, casting websites, show reels and agencies. Finally, we’ll get you plugged into London’s creative economy with an orientation to London venues, artist development opportunities and networks.

Visit the City Lit website to book:
http://www.citylit.ac.uk/courses/Drama%2C_dance_and_speech/Professional_skills_for_actors/London_Theatre_passport_for_international_actors_run_by_Legal_Aliens_Theatre_Company/DS092

See you soon!

THE RETURN at the ST JAMES THEATRE STUDIO

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We’re delighted THE RETURN, the first ever translation of the award winning play by Sergio Pierattini, has been selected to appear at the beautiful St James Theatre Studio, in the heart of central London, as part of the Studio’s Play Week.

The St James is a newly refurbished state of the art venue, located at 12 Palace Street (off Buckingham Palace Road, 2 minutes from Victoria), London, SW1E 5JA.

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Excited by the chance we were offered, we went back to the rehearsal room,  and what an exciting process it has been!
We found some new nuances in the text and also decided to explore it physically, using the transitions between scenes to go deep into each character’s feelings.  The language of the translation has also been tweaked to give even a more accurate sense of the original linguistic landscape.

But let’s not give too much away, you’ll have to come and see it!
Bookings are open so buy your ticket before it’s too late!
Box Office: 0844 264 2140 | boxoffice@stjamestheatre.co.uk

And now as a preview, some pics straight from the rehearsal room, by our great photographer John Watts.

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